The Bronze Laver and Baptism

Exodus 30:17–21, A laver of brass. The large bronze basin that was located in the courtyard of the Tabernacle of Moses just in front of the door of the tent of meeting was fabricated from the mirrors the Israelite women donated (Exod 38:8). Perhaps James the apostle had this tradition in view when he speaks of being a doer of the Word of Elohim, not just a hearer, for a hearer and not a doer is like one who sees himself in the spiritual mirror of Elohim’s Word and forgetting what he looks like does not allow the Word to transform him (Jas 1:22–25). We know that water is a poetic metaphor for YHVH’s Word (Eph 5:26; Tit 3:5; Heb 10:22; Deut 32:2). 

In the laver, the Levites were to wash their hands and feet before going into the tabernacle, so that they would not die. The hands and feet represent the entire body since they are the highest and lowest parts of the body. They also represent our direction and our action—everywhere we go and all that we do—must be pure before ministering before YHVH.

The Bronze Laver in More Detail.

Constructed of the mirrors of the Israelite women, the bronze laver represents a believer looking into the Torah (YHVH’s instructions in righteousness) as a mirror, seeing himself for Continue reading

 

The Altar of Incense and What It Has to Do With YOU

Exodus 30:1–10, Altar to burn incense. The golden incense altar was constructed of acacia wood covered in gold and was situated in front of the veil leading into the holy of holies (the most set-apart place) halfway between the menorah and the table of showbread. Like the table of showbread, it had a golden crown around the top of it, which points to Yeshua being the head of the body of believers. The priest burned incense on the altar twice daily, in the morning and the evening. Scripture reveals that incense represents the prayers of the saints rising up to heaven before the throne of Elohim (Ps 141:2; Rev 5:8), which in the tabernacle is pictured by the mercy seat in the most set-apart place or oracle (d’veer). The altar of incense was a place of deep prayer, praise, worship and intercession and speaks directly to the intimate twice daily prayer life and devotions of the born-again believer before the throne of the Father in heaven.

The Altar of Incense in More Detail

At the altar of incense, preparation was made to enter the most set-apart place (holy of holies). This altar was located just opposite the veil of the kodesh hakodashim (holy of holies) where the high priest offered up incense to the Father in heaven. This was the place of ultimate worship, prayer and intercession just before entering into the most intimate Continue reading

 

The Horns of the Altar and Yeshua

Exodus 29:12, Horns of the altar. The four horns of the altar of sacrifice was the place where the blood of atonement was sprinkled (also Lev 4:4, 17, 18, 25, 30, 34; 8:15; 9:9; 16:18). 

But there’s more. Horn is the Hebrew word qeren meaning “horn, hill or ray.” This word is used to describe the rays of light rays emanating from the face of Moses after his encounter with YHVH (Exod 34:29) and the horns of an animal (Ps 69:31). In ancient cultures, the horn was a metaphor for physical strength or spiritual power (Deut 33:17; 2 Sam 22:3; Ps 18:2). Elsewhere, YHVH is referred to as man’s “horn of salvation” meaning he is the strength of our salvation. The Hebrew word for salvation is yesha meaning “deliverance, rescue, safety, welfare, victory, prosperity.” The root of yesha is the verb yasha meaning “to save, to deliver, to give victory.” Not only is YHVH called our “horn of Continue reading

 

The Tabernacle Courtyard and Outer Gate—YESHUA, YESHUA, YESHUA!

Exodus 27:9–19, Court of the tabernacle. The tabernacle’s outer court was approximately 150 feet long by 75 feet wide (or 11,250 square feet, which is about one-fourth of an acre) in size.

The curtains of the outer court (Exod 27:9–19) were made of fine white linen and was seven-and-a-half feet tall. The linen curtains speak of robes of righteousness the bride of Yeshua will wear on her wedding day (Rev 19:8).

Sixty pillars supported the outer curtain. They were set in heavy bronze (or brass) bases topped by silver capitals. These pillars represent redeemed humanity wearing robes of righteousness. Wood symbolizes humanity, while bronze symbolizes judgment against man because of sin, and silver represents redemption or Elohim’s ransom price for man’s sin.

The Outer Curtain in More Details. 

The outer curtain was approximately 150 feet long by 75 feet wide and seven and-a-half feet tall. The curtain was just tall enough so that a tall man could not look over the top and see inside. The curtain was made of fine-twined white linen which stood in stark contrast to the surrounding gray-brown drab desert surroundings. White linen represents robes of righteousness. The priests wore white linen robes (Exod 28:39–43) and the bride of Yeshua is expected to wear such garments (Rev 19:8). YHVH’s people are called a nation or kingdom of priests (Exod 19:6; 1 Pet 2:9; Rev 1:6; 5:10; 20:6). Men’s righteousness is as filthy rags (Isa 64:6) and our sins have separated us from Elohim (Isa 59:2), but YHVH has made provision for man’s sins to be washed away and for man to become white as wool or snow (Isa 1:18).

This curtain formed a barrier between man and Elohim, between the profane or polluted and the sacred and pure. The height of the curtain was just a little taller than a tall man to teach unsaved man that the way of salvation is not impossible for him to achieve, yet it is just beyond his reach, as well, without coming through the prescribed way—through the Continue reading

 

The Bronze Altar and the Cross

As we continue our tour of the Tabernacle of Moses, the Torah takes us next to the bronze altar of sacrifice just inside the tabernacle’s door. Everything occurring in the tabernacle revolved around this altar—EVERYTHING!

This fact is highly significant, since this altar points to the “altar” of the cross on which Yeshua the Messiah died for our sins. This is one truth that the mainstream church has gotten wonderfully right: the cross and what happened there is the central point of the gospel message.

One cannot read the writings of the apostles and fail to see this unless one is sadly spiritually naive and spiritually blind!

Exodus 27:1–8, An altar. As we continue our tour of the Tabernacle of Moses, the Torah takes us next to the bronze altar of sacrifice just inside the tabernacle’s door. Everything occurring in the tabernacle revolved around this altar—EVERYTHING! This fact is highly significant, since this altar points to the “altar” of the cross on which Yeshua the Messiah died for our sins. This is one truth that the mainstream church has gotten wonderfully right: the cross and what happened there is the central point of the gospel message. One cannot read the writings of the apostles and fail to see this unless one is sadly spiritually naive and spiritually blind! 

Just inside the door of the tabernacle was the altar of sacrifice. It was made of acacia wood overlaid with bronze, which is a prophetic picture of Yeshua the Messiah bearing the judgment for men’s sins on the cross. The blood of the sacrifice was poured out on the ground at the base of the altar symbolically picturing Yeshua shedding his blood at the cross. Two lambs were offered at the altar morning and evening (Exod 29:38–42). This pictures our need to come humbly before our Father in heaven morning and evening in prayerful devotion as living sacrifices to confess our sins, to praise and thank him for saving us from the penalty of our sins, which is death (Ps 51:16–17; Heb 13:15; 1 John 1:7–9; Rom 6:23).

The Altar of Sacrifice in More Details. Upon understanding that the Person and work of Yeshua is the way into spiritual life, light and truth, one must also recognize that one’s sin liability keeps one from a having personal relationship with one’s Creator. The broken fellowship with our Father in heaven due to our uncleanness because of our sin is the reason for this. For one to have a relationship with a sinless, perfect, totally set-apart or holy Elohim,the sin problem has to be dealt with. Sin must be atoned for along with the resulting guilt, shame and penalty (i.e. death) that sin brings. In the Tabernacle of Moses, the liability and effect of sin is dealt with at the altar of the red heifer outside the gate of the tabernacle, which represents the work of Yeshua at the cross (Heb 13:10–13). There one Continue reading

 

Through the Veil—The Way to the Holy of Holies

Exodus 26:31–37, A veil. The veil or parochet divided between the holy or set-apart place and the holy of holies or most set-apart place. It was woven of fine linen of the same four colors as were the previous two curtains—blue, crimson, purple and white, except this veil had cherubim embroidered into it. The most set-apart place is a picture of returning to the Garden of Eden, which had cherubim guarding its entrance (Gen 3:24), except this time it is the New Jerusalem in the New Heaven and New Earth. 

It was this same veil that was rent from top to bottom in the second temple in Jerusalem at the time of Yeshua’s crucifixion (Matt 27:51). The writer of the Epistle to the Hebrews teaches a correlation between the tearing of Yeshua’s flesh on the cross and the tearing of the veil, and that this event opened the way for believers to be able to enter into the most set-apart place and to come boldly before the throne of Elohim through the shed blood of Yeshua (Heb 10:19–22 cp. 4:14–16).

The Veil in More Detail

This veil to the most set apart place (also known as the oracle or deveer) contained the four colors of the other two veils: crimson, blue, purple and white. Unlike the others, this veil had embroidered cherubim on it. It hung on four pillars of overlaid gold acacia wood. The pillars were set in bases of silver with the curtain hanging by rings of gold.

This veil is what separated men from the very Presence of Elohim. At Yeshua’s death the veil in the temple was split from top to bottom (Matt 27:51) opening the way to all into the holy of holies by and through the redemptive work of Yeshua on the cross (Heb 10:19–22).

 

The Gospel Message in the Door of the Tabernacle

Exodus 26:36–37, Door of the tent. As with every other part of the tabernacle, the door is rich is rich in symbolic and prophetic significance pointing to Yeshua the Messiah and relating to the glorious message of the gospel in its full ramifying panoply.

This door had the same colors as the door to the outer courtyard (blue, crimson, white and purple) and was also woven of fine linen. The door was the same size in area, though it was a different dimension than the first door, for it was taller and narrower. This teaches us that the view of Yeshua becomes higher, and the way to the holiest place becomes narrower and the requirements become more stringent as one draws closer in proximity to YHVH’s glorious presence.

Five wooden pillars covered in gold supported by bronze bases held the curtains up. Again, the wood-covered gold speaks of the righteousness of the saints. Bronze speaks of Elohim’s judgment and five can speak of both the five books of YHVH’s Torah as well as the five-fold ministry the purpose of which is to ground YHVH’s people in his Torah-instructions in righteousness. In so doing, the Saints will become like Yeshua, who was the physical embodiment of the Torah—or YHVH’s Torah-Word made flesh (the Living Torah, John 1:1, 14).

The Door of the Tent in More Detail

This door had the same coloring as the outer door: purple, white, crimson and blue. This door had different ­dimensions as the outer door, but occupied the same area. This door was about half the width, but twice as high as the outer door. This speaks of the fact that as one grows and matures spiritually, the way of life, the path of righteousness and the way to intimacy with the Father gets narrower and the standards are elevated.

It was held up by five pillars picturing the fivefold ministry (Eph 4:11), which is likened to a hand: The apostle is like the thumb. The other fingers cannot work properly without it. It has more flexibility than the rest and can do things the others can’t. The prophet is like the index finger and points out people’s faults and points the direction people are to walk in, yet he must be very gracious, humble and self-effacing in his activity since he has three fingers pointing back at himself. The evangelist represents the middle finger which extends or reaches outward the farthest to bring people to YHVH. The shepherd (pastor) is the ring finger representing gentleness and love. The teacher, like the little finger that is used to dig stuff out of one’s nose and ears, digs out nuggets of truth in hard to reach places (e.g. ear and nose).

The five pillars were made of acacia wood overlaid in gold, which speaks of Yeshua’s humanity and his divinity. The pillars were set in bases of bronze speaking of YHVH’s righteous judgments and that all judgment will be left up to Yeshua who is over all and has judged and will judge all (Heb 2:8; Eph 1:22). Furthermore, Yeshua as head of the body of believers, the gates of hell will not prevail against his elect (Matt 16:18; Heb 3:6).